She would later appear in several of her husband’s most important films. Giulietta loved him, adored him and even worshiped him. She became his wife and muse for the rest of his life. In 1943 he wrote several scripts for the radio show which were called “Chicco and Polina” and at that moment he met Giulietta Masina who won the role and Fellini’s heart. He began writing professionally around this time, working on radio shows.
In 1938 he moved to Rome and started writing articles for satirical magazine Marc’Aurelio. He was always dreaming to leave Rimini for Rome. He was very talented and had an active imagination. Showing a talent for drawing and caricaturing Fellini started his career as a cartoonist and portrait painter. Federico Fellini and his brother RicardoĪs a child he loved going to the cinema, praising Charlie Chaplin, Laurel & Hardy, Buster Keaton, Walt Disney and the Marx Brothers as much as Luis Buñuel, Roberto Rossellini and Sergei Eisenstein. Very religious catholic family and Fellini had a difficult relationship with His father was charming, had a strong sense of humour, and undoubtedlyįederico inherited personality traits from his father. Merchant, was traveling all over the country selling olive oil, cheese and To middle class parents Urbano and Ida Fellini. Earlyįederico Fellini was born on 20 January 1920 in Rimini He was never silent during the film shooting, he always instructed the actors and that was the reason why it was exciting and as well as challenging to work with the Maestro he could convey any emotions of any character. Influenced the most famous film directors and he was a mentor for most of them,įellini’s main aim was to solve the riddle of life, he was eager to find out why and what for the human beings existed. Fellini’s films typically combine memory, fantasy and dreams, the images created by Fellini were unique.įellini was the greatest showman ever, his works The style of Maestro was inimitative and distinctive.
#Federico fellini style full
He was a highly esteemed and influential Italian film director of the time. His name became a household word, a trade mark, which could describe the full range of emotions which his films evoke they can be humorous and scary at the same time, poetic and ground. But even 100 years after his birth, his work still seems both fresh and contemporary, offering new elements to discover with each screening.5 Shares Portrait of Federico Fellini About MaestroĮccentric and extravagant, mysterious and even incomprehensible Federico Fellini was the film director with a special unique style. When Fellini died in the autumn of 1993, it was an event of national importance that stirred the entire country: Italy had lost its probably greatest film director, the world of cinema one of its most popular filmmakers. He always refused Rimini and Rome were enough for him, especially because he found the best work surroundings in Cinecittà Studios in Rome. Hollywood rolled out the red carpet for Fellini several times, inviting him to shoot in the US. Hardly any other director from a non-English-speaking country has been able to garner so many Oscars. One could call it a Fellini family, a community firmly rooted in Italy, but which told stories that fascinated the whole world. He relied on a few outstanding cameramen, and his composer Nino Rota became a world star by working with him. He provided the greatest roles for his wife Giulietta Masina and his alter ego Marcello Mastroianni. The fact that he often worked with the same people contributed to this. Idlers, strays and petty criminals populate his films, just as prostitutes, saints, mothers and outcasts do. Larger-than-life women, or men searching for the meaning of life: Fellini put them in the spotlight.ĭonald Sutherland as Fellini's 'Casanova' The circus, minstrels, magic and enchantment: The fairground environment became one of his trademarks.įellini's films celebrate nostalgia and a yearning for the joys of childhood. This became evident with La Strada, Fellini's first world success. With La Strada, Fellini brought poetry to dreary everyday life But unlike his fellow countrymen who remained true to neo-realism, Fellini quickly added fantasy and fairytale, poetic and playful elements to his cinematic cosmos. His first films were in black-and-white, had a hard realistic core, and focused on figures on the fringes of society. One masterpiece after the other then followed. The White Sheik (1952) was the first film he directed alone. A famous Fellini scene: Anita Ekberg in Rome's Trevi Fountain in 'La Dolce Vita'įive years later, Fellini made his first film, together with director Alberto Lattuada: Variety Lights.
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